The history of the country which was seen to materially and morally being destroyed by unwanted war was publicised by Italian cinema. In this particular era, the Italian film industry was seen to assume role of country’s ambassador which was animated by their resilient drive (Rosen, Philip, 2001). During this political formation of the country the national cultural unification was seen to be unaffected which was depicted in the contemporary Risorgimento films and neoclassical Roman merging the cultural and social division for the Italian audiences so as to show them the possibility of being the inheritors of a supra-regional, supra-class historical unity.